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  • Gitana 18
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  • Retractable Y-shaped foils, adjustable in three dimensions

    Inspired by the appendages of the America's Cup foiling monohulls, these Y-shaped foils have a wingspan of over 5 metres. They are designed to generate powerful lift, increase power and offer a wide range of adjustments to optimise flight at every point of sail and in all conditions. Beyond their impressive size, these foils feature many unique innovations.

    Revolutionary U-shaped rudders

    These are probably the most visually striking innovations on the new Maxi Edmond de Rothschild. To fly high above rough seas while maintaining control, the team wanted very long rudders that would remain in contact with the water. The challenge is that longer rudders tend to flex under load, severely affecting steering and the efficiency of their lifting surfaces. A new geometry was needed to give these appendages maximum stiffness, resist cavitation and ultimately improve control of the boat and make better use of its power. The result is a set of U-shaped rudders over 4 metres long, a metre longer than those on Gitana 17. Their shape, reminiscent of a tripod or an inverted π, is only the visible part of what makes them so distinctive.

    A daggerboard optimised to stabilise the boat and limit cavitation

    With its wide span, the daggerboard resembles an aircraft tail assembly, with two adjustable flaps: one on the vertical section and the other on the horizontal section, the distinctive “manta-ray wing”. On Gitana 18, the innovation is to position this wing behind the vertical part of the appendage, rather than directly beneath it, to minimise flow disturbance and cavitation.

    Gitana 18’s daggerboard

    Rig: adjustable spreaders to control mainsail power while sailing

    Gitana 18’s mast is 1.50 metres taller than its predecessor’s. The boom is also shorter, creating a more slender sail plan. The major innovation is a set of spreaders that can be adjusted while sailing to bend the mast fore and aft. Actuated by hydraulic rams, these spreaders can pivot through 35 degrees to adjust the bend in the middle of the mast. This unprecedented system allows the sailor to control mainsail power: adding depth in light winds to take off sooner, or flattening the sail to reduce power at high speed or in strong winds. Adjusting the depth, and therefore the power, of the mainsail can also save a solo sailor time and energy by reducing the need for risky manoeuvres or headsail changes.

    Central hull:
    an integrated, structural coachroof

    The naval architects and Gitana design team wanted an exceptionally stiff, structurally robust platform. This applies both to the floats, which must withstand heavy loads from the foils and rudders, and to the central hull, which is subject to torsion. The enclosed coachroof is integrated into the hull and contributes to its structural strength. Inside, the cockpit brings all sail-handling controls together, with ergonomics shaped by many hours of design and development. The coachroof also stands out for the number and size of its windows. This configuration meets the visibility requirements of the Ultim class rules and gives sailors the best possible view to keep a visual watch.

    Gitana 18’s coachroof

    02.11.2016

    “Awakening the senses series”, the taste.

    In Les Sables d’Olonne, in a sunny ambiance that is still very mild for the season, the sailors and their teams are sharing the aisles of the Vendée Globe start village with what are still very impressive crowds for this final day of the holiday period. Sébastien Josse is setting off this Sunday for a non-stop, singlehanded race round the world rac…

    par Gitana

    In Les Sables d’Olonne, in a sunny ambiance that is still very mild for the season, the sailors and their teams are sharing the aisles of the Vendée Globe start village with what are still very impressive crowds for this final day of the holiday period. Sébastien Josse is setting off this Sunday for a non-stop, singlehanded race round the world race via the three capes; an event synonymous with ten to eleven weeks of freeze-dried foods and meals eaten whilst clad in foulies, curled up in the Mono60 Edmond de Rothschild, where inevitably he doesn’t have a table or a galley. In order to round off our series of secrets about the five senses, let’s set off this Wednesday on the quest for flavours by discussing taste!

    #5 Taste

    TICKLING YOUR TASTE BUDS

    Nourishment is a key issue in offshore endurance. You have to be able to eat well and regularly so as to have enough energy, with a varied diet so as to maintain the desire to eat and the minimum amount of weight so as not to hinder performance. In this way, 90% of the food for the Vendée Globe comprises dehydrated ready-made meals. There is no fresh water aboard (much too heavy!), so Sébastien uses a desalinator; a device which removes the salt from the sea water. The skipper of Gitana 16 is lucky enough to benefit from the talents of Julien Gatillon, the young Michelin-starred chef from Le 1920, a gourmet restaurant in the Rothschild domain of Le Chalet du Mont d’Arbois. In his hands, a squid à l’Armoricaine, a lentil soup or a semolina pudding become something special, even freeze-dried. “I also have some of Julien’s dishes fresh in a sachet, which is quite delightful. I also love ‘Poutargue’, a roe-based preparation local to the Mediterranean and tinned sardines also become a dish fit for a king! You really attach a great deal of importance to these little pleasures. Once, I managed to keep an orange fresh as far as New Zealand. You keep hold of it as if it was treasure and when you bite into it, it’s magical!” The sailor reminds us that the environment changes the tone too. “At home, I love to cook and I take care over the presentation of the dishes, but at sea, you don’t eat at a table. You eat crouched down, in foulies… which is completely alien.” And in terms of delicacies? “No chocolate or cereal bars, my thing is sweets: liquorice, Carensac, Dragibus, Arlequins… the French classics!”

    The 1920 and the chef Julien Gatillon at the heart of Gitana Team’s Vendée Globe



    Since the early days of Gitana Team in around 2000, particular attention has gone into the daily lives of the sailors during offshore races with meals designed in the kitchens of Le 1920 gourmet restaurant, at the Chalet du Mont d’Arbois – an entity that forms part of the Domaine du Mont d’Arbois founded by Noémie de Rothschild in 1920 in Megève. The young chef, Julien Gatillon, who was awarded his first star in the Michelin Guide 2014 after just two years spent at the head of the kitchens in Le 1920 restaurant, then a second star in 2016, today concocts for them special dishes drawn up with the Gitana Team and the skipper Sébastien Josse. For the Route du Rhum 2014 edition, the chef and the sailor worked together on recipes adapted to solo racing and also vacuum-packed… a daring challenge given the glaring and multiple difficulties that faced the refined stoves of Le 1920 restaurant and the boats’ galleys, which have to be minimalist! Indeed, on the most recent of the Gitana fleet, the galley amounts to a simple stove and a kettle; rudimentary equipment which forced the Michelin-starred chef to adapt to the sailor’s living conditions.

    “The first time Sébastien invited me to sail on a Gitana, explains Julien Gatillon, it was both fascinating and very surprising. Somewhat naively, I thought he at least had a fridge and something to heat up tinned food. However, after a few hours aboard the boat in what were relatively calm conditions, I really had to revise the way I think about cooking, designing different cooking and preservation methods, which also take up as little space as possible and are as lightweight as they can be.”

    The taste is also…

    THE TASTE FOR EXERTION

    “Ah yes, I have that!” agrees Sébastien, the inveterate athlete who particularly loves watersports, surfing, kitesurfing, windsurfing and stand-up paddle, which form an integral part of his physical training along with mountain biking, running and CrossFit. “When you have worked hard to be physically fit, you really like it when things go well, when you feel strong, when you can push hard knowing that it’s not going to hurt you. At that point, everything becomes easier and above all more enjoyable at sea!”

    THE TASTE FOR COMPETITION

    It is surely one of the most important elements and perhaps the most basic. The one that brings about the decision and the desire to go for it. Without it, why put yourself in a universe with so many constraints? “In competition, in offshore racing as in all sports, you have no pity for the other person,” Sébastien admits. “You seek to gain the psychological advantage over your rival. You get a taste of it when he or she is taking a knock whilst things are easy for you. And the reverse of that, when you’re going all out and the other person ups the ante again, that’s tough. The best elements of your character don’t necessarily shine through in such situations. You become aggressive but that’s what having determination means. If a competitor is in physical distress, mutual aid kicks in of course, but if it’s a competitive distress, you’re not necessarily going to wait for them as it’s down to each person to gain ground, prepare themselves, sometimes for several years, in order to have the necessary stamina.”

    THE TASTE FOR ONESELF

    “Self-confidence takes a very long time to build and it requires effort and sacrifice,” explains the skipper who is taking on his fifth round the world in 14 years. “In a Vendée Globe, you alternate between the real highs and the real lows. You’re in tip-top condition and then it crumbles around you in a matter of hours. It’s a compressed version of what you can experience in life, everything’s dense and intense. It’s something that can be unsettling for some. You become a bit introspective but it’s essential to know yourself in order to perform well. You’re face to face with yourself. You cannot hide yourself away, or get help, or step down. So you seek to be all systems go, not other people’s systems or those written in the manual, but your systems. Despite all the work, you don’t know if you’re going to find your own balance or rhythm. The imponderables are too numerous so you just have to go for it, dive into the unknown, there where the adventure aspect nestles.”